Kyzen Pemberton

 

I draw with metal as my material, fabricating through very repetitive processes to meticulously accumulate pieces into a cohesive whole. I enjoy the way that repeated forms of different scales can undulate to create volume, movement, or texture. I will often start with a single module, repeating it over and over again before bringing a mass of modules together into a final form. I like to think about the joining of parts in my work, about new ways to connect metal, and I seek to make fluid and curious transitions between components of the piece. I utilize techniques such as forming, weaving wire, and piercing patterns to draw with metal as my material. I investigate patterns in the way I accumulate, amass, and repeat lines, forms, and elements.

My approach to making has shifted from rigid control to creating a space for the spontaneous that occurs during fabrication. I am driven by my curiosity about the material and a desire for a balance between the unexpected and the planned. Sound is sometimes a surprising byproduct of the pieces that I create, produced by modules moving and clanging together to make noise. I’m exploring how playfulness and spontaneity is conveyed in a material that isn’t inherently supple. Without compromising the level of craft and attention to detail that is integral in my work, I aspire to create looseness within the framework of control.

kyzenpemberton.com

@kyzenpemberton

Brooch 1, 2022, Sterling silver, 3.5"x3.5”x1"

Brooch 1, 2022. Sterling silver, 3.5"x3.5”x1"

Brooch 2, 2022, Copper, 5.75” x 6” x 2.5”

Brooch 2, 2022, Copper, 5.75” x 6” x 2.5”

Pendant 2, 2022, Sterling silver, 3.75”x2”x2”

Brooch 3, 2022, Sterling silver, 2.5”x 1.5”x1”

Brooch 3, 2022, Sterling silver, 2.5”x 1.5”x1”

Pendant 1, 2022, Sterling silver, 2.5”x1.5”x0.75”

Pendant 1, 2022, Sterling silver, 2.5”x1.5”x0.75”

Pendant 3, 2022, Sterling silver, 3.75”x2”x1.5”

Pendant 3, 2022, Sterling silver, 3.75”x2”x1.5”

 
Previous
Previous

Thea Owens

Next
Next

Liberty Rossel